Formation Soccer Human Cup '90

~ FORMATION SOCCER HUMAN CUP '90 ~

Human

HuCard

1990

I considered the '92 episode of "FSHC" to be the weak link of the otherwise enjoyable Human Sports Festival, so I wasn't expecting great things when I worked backwards and visited its predecessor. Well, this is pretty much the same game; in fact, it even has the same TV gimmick during halftime (with the same channels to flip through, no less). It's not a trainwreck or anything and it doesn't look terrible, but it doesn't offer the greatest playability either (the cumbersome control scheme has you press Run to switch players and select teammates to pass to) and the music is incredibly annoying and repetitive. Even for a sports title, there just isn't much going on here. This is one of those games that make me wonder how people felt after they actually paid full price for them back in the day. Even rabid soccer fans might not have been thrilled, and the era eventually delivered superior alternatives (FIFA).

Select your team and decide on your "strategy." Choose carefully, for the Human Cup is at stake!

Enjoy goals when they actually happen. You'll be spending most of your time involved in scrums for the ball.

Two of the fascinating programs you can watch during halftime.

Typical penalty kick battles decide games that end in ties.

Devil's Crush

~ DEVIL'S CRUSH ~

Naxat Soft / Red / NEC

HuCard

1990

Most people will tell you that Devil's Crush wipes the floor with its awesome predecessor, Alien Crush. After all, DC is faster and tougher. It has a larger main playfield and more bonus rounds. Its primary music track is much longer and more intricate than any of AC's numbers. It allows you to save play data. It has a charismatic cast of creatures--including a fire-breathing dragon watching over its eggs, a laughing skull with a creepy roving eyeball, and the famous lizard woman--who certainly outdo any alien brains and mutants. There's just a lot more to be aware of, a lot more going on at any given moment in DC. In fact, in comparison, AC's playfields seem vacuous and its monsters static.

All of that being said... I'm a bigger fan of AC, myself. My allegiance to DC's older, simpler sibling is no doubt buoyed by nostalgia and a personal preference for AC's tunes. But the scrolling playfield that so many players laud DC for is an "improvement" I could have lived without, as I like AC's "blinking" system for the simple fact that it allows me to see my flippers at all times during the action. Of course, regardless of which Crush brother you end up devoting your loyalty and game time to, both are excellent pinball titles and TG-16 must-buys.

Demons, sorcerers, and other strange things are constantly hustling and bustling about the playfield.

The famous Lady Lizard transformation sequence.

Some of Devil's bonus rounds.

Ys Book I and II

~ YS BOOK I & II ~

Falcom / Hudson Soft / NEC

CD-ROM

1990

All right, I don't think anyone needs a "proper" review of this game at this point, and there's hardly a scarcity of Ys reviews anyway, so I decided to do something different with this one: I've noted the parts that have really stuck with me throughout the years. Some of them are little goofy things, while others are unquestionably among the most dramatic scenes in Turbo-game history. So here we have IvaNEC's list of the most memorable moments from the greatest game available for the system:

Gotta start off with the two opening cinemas. The second one is especially impressive, with its rockin' rendition of Adol's theme and the stylistic way it augments the awesome imagery with cast-member names, making the affair seem like a grand production right off the bat. I always tell people to return to this cinema after they've completed the game so that they can connect names and plot points with the images. I particularly love the depiction of Lair playing her harmonica in the rain.

The first instance of truly immersive atmosphere comes upon entering the shrine, with its enchanting but somewhat chilling tune that incorporates the sounds of falling water droplets and concludes with beautiful piano lines. I like how the game changes things up by replacing it with another cool (and more upbeat) tune when you delve deeper into the structure.

The mine boss encounter was the first spot that gave me problems back in the day. It's certainly not difficult to figure out the approach to take, but I'm usually not up to an adequate level by the time I reach him, so I have to bumble around the caves and power up for a bit. It seems like a lot of other folks have experienced the same predicament.

I enjoyed the spot in Darm Tower where the statues surrounding a chest come to life and charge at you when you open said chest, if for no other reason than the previously (and subsequently) worthless Timer ring actually served a purpose for me.

The scene where you meet up with Lair in Darm Tower always reminds me of why I think she's such a cool character. While Feena whines about headaches and how scary the shrine was, cunning Lair actually goes ahead and gets herself captured on purpose to help out with things. I also think Lair's VA had a very appropriate voice for the character and did a wonderful job.

One of the greatest scenes in video game history is the encounter with Dark Fact. His cool voice, his awesome speech, and his chilling violin theme make the meeting absolutely unforgettable.

The cinematic intermission that follows the Fact fight is nothing short of stunning. The cool exchange between Darm and Dalles followed by Adol's fiery trip to Ys (which is accompanied by one hell of a rockin' track) makes for a dynamic and amazingly dramatic beginning to Act Two. This sequence (from the meeting with Fact through the subsequent cinema) is when I first began to feel that the game was truly something special back in the day.

Want to hear some fantastic music that isn't red book? Take a moment to stroll around Rance village and listen to the tune. Incredibly beautiful with a very soft and melodic hook.

The worst sentries ever have to be the two immobile dudes guarding a chest in the Ruins. You can hit them, take a second to heal up, and repeat until your path to the treasure is clear. It's so goofy and I like goofy stuff, so of course this ridiculously obscure moment has stuck with me through the ages.

The Divine area is one of the best parts of the game. You get a rocking tune in the corridors (the first few bars in particular are kick-ass), and a majestic, ethereal number in the priests' chambers. That soft, enchanting track really makes it feel like you truly are uncovering the hidden secrets of a lost land. The experience feels so important and dramatic and immersive.

Jira's basement, where loads of monsters come bursting through the wall, is quite simply the best and most enjoyable "leveling up spot" in any RPG.

One of the coolest things about Ys is that you can actually talk to any beast you want by magically transforming yourself into a monster. I know that during my first time with the game, I spent ages simply going around and conversing with my enemies. Some of them are quite the comedians!

Among the good guys, Keith is probably my favorite Ys character. A cool-looking friendly green monster--what better ally could one ask for? Not to mention his famous "Adol, this way!" line and his shy costume dropping during the end credits.

My favorite puzzle in the game is when Adol is eavesdropping on a monster meeting in Solomon Shrine. Not only must he put on the earrings to hear what is being said, but he has to turn himself into a beast as well to understand the language. Cool stuff. When I was a kid, I felt so cool for figuring it out, haha.

Dark Fact and Darm are the "household names," but Dalles is the villain who actually wreaks the most havoc in the game. One of his coolest acts is changing Adol into a beast (who's topped by a little tuft of red hair, of course).

The boss guarding the Belfry, the one whom you have to fight by nailing his projectiles with fire magic, gave me fits back in the day.

The Belfry sequence was crazily intense the first time I experienced it. Charging up the tower with the bells ringing and the urgent music cranked, ultimately encountering the despicable Dalles, well, it all made me quite breathless!

The entire last stretch, from the glowing red tunnels on, might be my favorite part of all, with the "goddesses in flames" scene providing as much excitement for me as any part in any game that I can think of. Darm's speeches, Feena and Lair's revelation (even though we all knew it was coming), Goban's "YOU ANIMAL!" outburst, the playing of the silver harmonica, Adol's sword beginning to glow and the music rocking more than it ever had before, the bridge being struck by lightning and collapsing, Darm's promise to "crush and consume"... nope, I can't think of a better string of events than that. I was wide-eyed all the way through it the first time I beat the game.

It all culminates with the greatest Turbo ending. The cute Lilia-Adol stuff is followed by the most entertaining end credits I've ever witnessed, and the music rules right through to the very end.