Burning Angels

~ BURNING ANGELS ~

Naxat Soft

HuCard

1990

Burning Angels has managed to get itself some attention (and fetch slightly higher prices than many other HuCard verts) by starring a couple of scantily clad tough-gals. Not surprisingly, the "chick element" doesn't really make much of an impact as far as the game itself goes, but I'm not gonna yap about it being "gratuitous." BA is actually a darn good shooter, and if featuring two anime girls showing a bit of skin earns it some attention that it deserves for its gameplay anyway, well then, let's have it.

Thing is, this chip should be known for so many other things, like allowing two players to partake in the action simultaneously. The two craft are far from identical; each has its own very distinct set of weapons, and each set is effective and enjoyable to use. Even when undertaking a single-pilot mission, the player can use either ship, which ups the game's replay value and makes up for the adventure counting a mere five levels. Aside from a stretch of wasteland in Stage 2, all of the strips look quite nice, boasting appealingly brilliant colors in some cases and multilayer scrolling in others.

The action here is very heavy and requires you to dodge relatively large projectiles despite your relatively large hitbox (but the leniency of the game's life-bar system should ensure that frustration levels remain low for most players). Bullet-spraying enemies are abundant and call off their assaults only to allow the occasional mini-boss to step into the fray. Toughest of all are the end-of-stage giants: you'll think you've got their attack patterns solved only for them to break out new techniques to batter you with.

To combat those behemoths, you can make use of special dual-ship attacks that you acquire energy for by collecting capsules that appear throughout the levels. Wreck your opponents with a mega beam a la Soldier Blade, or sear them with phoenix fire a la Terra Cresta II.

Succeed in defeating them and you'll get to hear a surprisingly awesome Stage Clear track, one of the game's many quality numbers. You'll also get to view some "girl break" cinematics, but thankfully, that stuff is the afterthought here, not the action.

Heavy Unit

~ HEAVY UNIT ~

Inter State/Kaneko / Taito

HuCard

1989

This tough sidescrolling shooter has a pretty bad reputation, mainly because there are lots of players out there who believe it's not merely unforgiving with its level of difficulty but utterly unfair. Indeed, Heavy Unit does seem to enjoy having large, robust enemies barreling around its playfield; and piloting a ship that constantly seems under-equipped doesn't lend to good times. The inoffensive but forgettable soundtrack won't compel anyone to continue getting bludgeoned, nor will the bland, flat-looking backdrops.

The gimmick that Kaneko placed their faith in is a ship that transforms into a robot when a certain icon is nabbed. Generally speaking, the standard vessel has an easier time blasting things and avoiding counterattacks thanks to its spread-shot weaponry and slim shape while the robot can take enemies out more quickly with its concentrated firepower and homing projectiles. Both weapon sets will seem lame and inadequate when players first start using them, and the aforementioned icon doesn't appear very often, meaning there aren't many "deliberation time" moments. Still, choosing wisely at specific junctures can make some level sections and boss fights much easier.

The transformation gimmick clearly wasn't implemented as well as it might've been, but there's another area in which Heavy Unit occasionally gets ambitious: enemy design. Its pink blobs and carrot shooters won't impress anyone, but some of their larger cohorts just might.

I know as I prepare to deliver my not-so-negative verdict on Heavy Unit that some readers will believe I'm letting a bad game off the hook just because it makes for a good challenge. Most folks give up on HU immediately, and I can't blame them; I never hesitate to warn players that they aren't likely to get much enjoyment out of it. I hated it right off the bat myself, and I don't consider it any sort of "favorite" even now. But there is a certain sense of satisfaction to be felt from discovering the best methods to use to dispatch your stout foes. In other words, the game does have a shot at winning people over in the end.

Gradius

~ GRADIUS ~

Konami

HuCard

1991

Let's start by taking a quick look at what this "famous" blaster delivers. It's a moderately challenging affair, and it boasts a few interesting tunes. Not exactly the stuff of legends there, but this story only gets worse: dinky weaponry; small, unimpressive enemies; lots of slowdown; and boring space-themed levels make this an outdated, geriatric shooter, a wash-up through and through. Timeless, this is not.

Ah, but the boss designs save the title, don't they? Who could ever forget their first encounter with the "shoot the core" ship, a video-game hall of famer for sure?

And then there's this mighty behemoth...

...and this remarkable titan...

All right, enough. I don't care what year the game was originally released in. This soft-stomached bum wasn't much fun to fight in the first place, and he sure as hell isn't fun to fight now--never mind that you have to fight him multiple times each trip. The fool had already been relegated to a Blades of Steel intermission sideshow act by the time the eighties were through--who the fuck wants anything to do with him now?

Konami did eventually realize they needed to shake the boss fights up a bit...

...but this is just a matter of too little, too late. It's kind of funny that the final boss is an intentional "joke" (an eventual "staple" concept of the series)...

...in that the "many" bosses that precede it are complete jokes anyway.

It doesn't matter to me that Gradius was a "landmark" shooter. Whatever was "special" about it back in the day has lost its sheen, leaving behind something decrepit, uninteresting, and deserving of whatever mockery is hurled its way.

That certainly isn't the case with all old shooters. Check out R-Type for a classic that has actually remained respectable over the years; hell, some stretches of R-T still come off as examples of ingenious stage design. Returning to the Konami catalog, both Parodius and Salamander completely murder Grandpa Gradius; and while the game's own direct sequel (which was released as a PCE Super CD) is hardly wonderful itself, it leaves its forerunner in the dust as far as stage concepts and boss designs go. What with the existence of these superior alternatives (and the many others that are out there), this old-timer is hardly even worth playing anymore.

Necros no Yousai

~ NECROS ~

Ask Kodansha / LAD-R / Red

HuCard

1990

Necros is a traditional-style RPG, and it can be a really annoying one at times. In most of its dungeons dwell powerful creatures packing magic spells that can hammer every member of your party at once. You'll have to contend with plenty of those daunting beasts, as the encounter rate leans towards the high side (with frequent spikes that put you in step-by-step peril). Perhaps the worst part of all is the HORRID start-of-battle "jingle." Not all of the game's tunes are as awful as that cacophonous "riff," but few positive things can be said about its crude overhead visuals.

Thank goodness for the charismatic characters who make up your brave assemblage. There are eight of these bold warriors, and your party will consist of three at a time as you play through the seven phases of the adventure.

Now, these aren't your typical knights, elves, and berserkers. No, this is an eclectic crew of misfits and goofballs. I mean, just look at this fruitcake...

It's a unique band of heroes, one that's very hard to dislike--not only because of the wacky personalities and silly facial expressions but also because of the distinct ability sets. You'll have to make good use of your party members' skills as you travel through deserts, forests, snow lands, caverns, dungeons, and futuristic factories. While Necros doesn't dabble in the sort of drama that's present in the greatest PCE CD adventure games, it does offer a fair number of surprising story moments, moments that usually play out in entertainingly goofy fashion. And advancement isn't made in a linear manner, as there are plenty of fun missions to undertake and quite a few secrets to happen upon. Those who don't know Japanese will need to use a walkthrough unless they hope to have remarkable luck while searching and stumbling (here's a good Japanese guide).

So Necros sends you off on an enjoyable adventure with a nutty, likable cast, but its true trump card is its battle system: raucous fight scenes provide closeups of the goofy heroes and their equally ridiculous foes as they leap and dash about.

Even with all the action and theatrics, Necros' battles are fast. Actually, aside from the at-times-irritating encounter rate, the game does a great job with its pacing, particularly in that it allows players to adjust message and walking speeds.

Whether it's annoying you or entertaining you, Necros is sure to draw you in. Thankfully, it spends most of its time amusing its players rather than driving them mad.

Dragon's Curse

~ DRAGON'S CURSE ~

Westone / Hudson Soft / NEC

HuCard

1990

Dragon's Curse would certainly have no place on any sort of "unappreciated gems" list; it's received far too much recognition to pass for a "sleeper." Still, speaking in purely relative terms, I'm a little surprised that it isn't discussed more often amongst Turbo fans, as it's a very charming and extremely well-thought-out sidescrolling adventure game.

A large, secret-stocked realm for players to explore and a main character who transforms into various creatures are DC's finest assets. Some shapes come with expected proficiencies--that Piranha Man swims, Hawk Man flies, and Mouse Man sneaks through small openings should come as no great shock to anyone. But the rodent can also scale walls and tread upside down on ceilings, while Lizard Man breathes fire and Tiger Man attacks with sweeping sword swipes. Comfortable controls make even the more routine actions enjoyable, and putting all of your available skills to good use can lead to some astounding discoveries.

Many elements considered obligatory for sidescrolling quests are presented with twists here. Some of the hero's available forms prefer certain types of weapons over others, and their respective items of choice may surprise you. Slay enemies to earn gold for acquiring equipment, but be aware that merchants will be unwilling to deal if your character comes off as a hoodlum. Stumble around in the hideous Goblin Mail and a shopkeeper may be offended by your appearance, but get all dressed up in the Prince's Armor and the same fellow will be more than willing to assist you.

DC innovates, but at the same time, it remembers to do the most fundamental things well. You'll travel quite a long way, and backtracking will ultimately be required, but placed throughout the sprawling land are portals that allow you to warp right back to the town that serves as your hub. The similarly structured Shape Shifter gets a hell of a lot of things right but provides no such convenient method of returning to home base.

DC's appealing sounds and visuals contribute to its overall air of lightheartedness. The soundtrack, one of Duomitri's favorites, is generally fast paced and upbeat, while the graphics are quite colorful and cartoonish.

There isn't anything particularly flashy about Dragon's Curse. It doesn't feature much of a plot; and, unlike Shape Shifter, it won't treat you to any moments of high drama. Its limited-range attack mechanisms wouldn't be deemed acceptable in a straight-ahead action title. And for idiot collectors, it isn't nearly as desirable an acquisition as its inferior successor, Dynastic Hero. But DC succeeds by giving its players fun forms to assume and a world that requires mastery of said forms' capabilities. At the end of the day, without indulging in fanciness or pulling off anything mind blowing, it manages to thrash most other adventure games of its era thanks to the wise choices made by its creators in matters of world layout and concept execution.